SNAPSHOT BIO
Drawing on nature, important causes, society and the personal, Robert McIntyre (he/him) is an Australian composer who finds and designs newfound space for moments, in order to achieve them a multi-faceted sense of visibility. McIntyre holds a Bachelor of Music (Honours) in Composition with First Class Honours from the Melbourne Conservatorium of Music, supervised primarily by Prof. Stuart Greenbaum and Dr. Katy Abbott, a Juris Doctor from the Melbourne Law School, is a Wattle Fellow, and is an Associate Artist represented by the Australian Music Centre.
Described as 'strikingly contemporary' (Limelight), McIntyre has strong national and international presence – working with various leading ensembles/collaborators, such as Melbourne Symphony Orchestra, Omega Ensemble, Flinders Quartet, Syzygy Ensemble, Melbourne Recital Centre, 3MBS Melbourne 103.5FM, Collide, Peninsula Chamber Musicians, and more. Recently, he was selected for Omega Ensemble’s 2026 CoLAB Composer Accelerator Program, and has undertaken other noteworthy programs to date including MSO Cybec 21st Century Australian Composers’ Program (2024), Composing in the Wilderness (2022), AYO National Composition Program (2021) and ICEBERG New Music Institute (2021).
accolades and awards include selection to represent Australia at the 2025 ISCM World New Music Days Festival in Portugal (with assistance by the Australian Government through Creative Australia, and the Ian Potter Cultural Trust Emerging Artists Grant), the 2023 Dorian Le Gallienne Composition Award for his cross-disciplinary song-cycle 'Our Duty to Care' (words by Savanna Wegman), a 2023 Wattle Fellowship, winning the 2022-23 Leslie Barklamb Flute Composition Competition, a featured commissioned work on Divisi’s 'Spectrum' (Australia's first fully-LGBTQIA+ classical music album), winning the 2022 No Divide KC International Art Song Competition, 2nd Prize in the 2022 Luna Nova International Composition Contest, and the 2022 David Henkels Composition Award.
Notably, in 2024 McIntyre was invited back as the Alumni Speaker for the University of Melbourne's Faculty of Fine Arts and Music (FFAM) to deliver a 10-minute commencement speech to the incoming 1st-year cohort across all disciplines. McIntyre also leads Changing Wilds Ensemble, with his ‘Our Duty to Care’ climate-change curation series continually receiving acclaim following its premiere and co-presentation with the FFAM and Melbourne Law School in 2023, co-presentation with Tempo Rubato and the National Sustainability Festival in 2024, and next with the Melbourne Recital Centre featured as part of its 2025 Classical Season.
photography by: Rudi Lo (they/them)
CHANGING WILDS ENSEMBLE
COMPOSITION PROGRAMS & PROFESSIONAL DEVELOPMENT
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The 2026 composers are: Robert McIntyre (VIC), Jessie Leov (NZ), Thomas Misson (TAS) and Beth Roche (NSW).
The CoLAB: Composer Accelerator Program offers a unique opportunity for early-to-mid career composers to obtain direct industry experience in collaboration with Omega Ensemble and under the mentorship of leading Australian and international composers.
Open to participants from all around Australia, this selective program is suited to talented composers with highly-developed compositional skills, a strong artistic voice and clear career ambitions.
The program aims to accelerate participants across a nine-month practice-based mentorship, developing a substantial new chamber work through intensive studio and digital workshops.
Previous mentors have included Nigel Westlake, Nico Muhly, Elena Kats-Chernin, Carl Vine, Missy Mazzoli, Christopher Cerrone, Holly Harrison and Graeme Koehne.
The program concludes with the annual New Now industry showcase with each participant presenting their works to an audience of invited industry guests, supporters and our music-loving community.
The CoLAB program is generously supported by the Darin Cooper Foundation, Sally and Geoffrey White, Mark Wakely in memory of Steven Alward, John Claudianos and Julianne Maxwell.
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Two Australian works have been programmed for the 2025 ISCM - International Society for Contemporary Music World New Music Days: Robert McIntyre’s 'A Sea Spray of Ash' (2019) for soprano and piano, and Dan Walker's 'Listen. Are you breathing just a little and calling it a life?' (2022) for youth choir.
Both works were submitted for consideration through the Australian Section selection, announced in April this year alongside 4 others, and from which one work was guaranteed a selection.
The 2025 World New Music Days, hosted by Miso Music Portugal, will take place from 30 May to 7 June in Lisbon and Porto, Portugal. The program will feature approximately 120 works across 20 concerts, performed by some of Portugal's finest musicians across this annual celebration of new music. More info.
***This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body.
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2024 PARTICIPANTS & NEW MSO COMMISSIONS BY: Andrew Aronowicz, Zinia Chan, Robert McIntyre and Rachel Meyers
Since its commencement in 2003, The Cybec Foundation has generously supported the MSO’s Cybec 21st Century Australian Composers’ Program.
Widely regarded as one of the nation’s pioneering and preeminent professional development opportunities for emerging Australian composers, the year-long program selects four participants who are individually mentored by a leading Australian composer and commissioned by the Orchestra to compose a 10-minute piece. The resulting four pieces are performed by the MSO in a public showcase event, following which, one participant is selected as the MSO’s Young Composer in Residence and commissioned to write further works.
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About the fellowship & Meet Cohort 2
The Wattle Fellowship is the University of Melbourne’s flagship co-curricular program dedicated to cultivating leadership for global sustainability. Grounded in the principles of transformative leadership, multidisciplinary collaboration, and practical action, the Fellowship empowers students to develop the capabilities needed to create lasting, positive change in their communities and beyond.
Over the course of a year, Wattle Fellows engage in an immersive learning journey that includes retreats, workshops, events, mentoring, and the opportunity to design and implement a sustainability-focused Action Project. Fellows join a vibrant community of like-minded peers and professionals, united by a shared commitment to building a more just, regenerative and sustainable world.
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2022 PARTICIPANTS: Christine Pan, Robert McIntyre, Christopher Alan Schmitz, Heather Allis Koehn, Virginia Wan, Leslie Hogan, Iddo Aharony and Joseph C Phillips Jr.
Composing in the Wilderness is offered by the Fairbanks Summer Arts Festival in collaboration with Alaska Geographic and the National Park Service. It is led by wilderness-focused composer Stephen Lias.
Working with experienced guides, naturalists, and scientists, we take composers into the backcountry of Alaska's wilderness and provide them with an intense and immersive adventure. With this as their inspiration, the composers then have the opportunity to compose original music that is premiered by top-notch contemporary music performers on staff at the Fairbanks Summer Arts Festival (and other ensembles).
Explore the inspiring wilderness of Alaska's backcountry, compose music about it, and have it premiered by top performers.
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2021 PARTICIPANTS: Robert McIntyre, Lewis Ingham, Aaron Pelle, Ben Robinson and Isabella Gerometta.
Energise your craft within a hive of inspiration in this two-week musical immersion. Compositional growth is our goal, and participants will together explore techniques, styles and processes in creating music that demands to be played and heard. Your resulting composition will be rehearsed and performed by the musicians and tutors of the AYO National Music Camp orchestral program with guidance from one of Australia’s leading composers.
As a composition participant you’ll work with a leading Australian composer to create a new work for performance by AYO’s experienced instrumental tutors.
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PARTICIPATED IN 2021 Iteration in Vienna, Austria.
ICEBERG Institute is a two-week composition intensive led by ICEBERG New Music composers and featuring a variety of guest faculty and performing artists each year. Participants receive rigorous individual instruction from world-class faculty members, hear their music performed in a public concert, and receive high-quality audio and video documentation of their work.
The ten composers of ICEBERG New Music are committed to exploring every boundary of contemporary concert music. They are acclaimed composers and distinguished educators who have collaborated with some of the world's foremost contemporary ensembles and performers, and heard their music performed across five continents. As a collective, ICEBERG has presented concerts across the United States, Canada, and Europe. Their first album, a collaboration with acclaimed pianist Jenny Lin, was released in 2018 by Sono Luminus Records. ICEBERG New Music has produced over 40 concerts of new music since 2016, encompassing more than 200 world premieres.
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Program participants: Robert McIntyre, Meta Cohen, Ariel Bonnell and Lore Burns.
“Compose Queer is an initiative to empower young queer composers. We have sourced four composers, providing them with a paid opportunity to compose for Divisi Chamber Singers and Sally Whitwell. At the heart of this project is the composers themselves. We want to give them the opportunity to write a new piece in a professional context, working with one of Australia’s leading musicians and a live ensemble. The first workshop took place in March 2020, and the first concert was in February 2021. Seeing the success of this program, we have decided to continue the Compose Queer initiative as part of our Ensemble’s core goals. As such, we will launch our debut album in March 2022 of the commissions from the original concert season and an addition work by Caerwen Martin.”
INSIGHT
Music is innate to the human condition, so making something that can resonate so deeply with the internal that also has artistic impetus is one of my continual ambitions.
photography by: Rudi Lo (they/them)
MEDIUM-LONG BIO
Drawing on nature, important causes, society and the personal, Robert McIntyre is an award-winning Australian composer who finds and designs newfound space for moments, in order to achieve them a multi-faceted sense of visibility. McIntyre holds a Bachelor of Music (Honours) in Composition with First Class Honours from the Melbourne Conservatorium of Music, supervised primarily by Prof. Stuart Greenbaum and Dr. Katy Abbott, a Juris Doctor from the Melbourne Law School and is an Associate Artist represented by the Australian Music Centre.
Described as 'strikingly contemporary' with an 'exciting voice' (Limelight), highlights of particular mention include selection for Omega Ensemble’s CoLAB Composer Accelerator Program (2026), Melbourne Symphony Orchestra’s Cybec 21st Century Australian Composers’ Program (2024), being commissioned by Flinders Quartet with support of FQ Syndicate #8, being the recipient of the 2023 Dorian Le Gallienne Composition Award for his cross-disciplinary song cycle ‘Our Duty to Care’ about the Sharma litigation (with commissioned text by regular collaborator Savanna Wegman), having ‘A Sea Spray of Ash’ selected by the Australian Music Centre as one of six submissions to the Australian Section of the 2025 ISCM World New Music Days Festival (Portugal) with subsequent selection by the international ISCM Jury to represent Australia in 2025 (with assistance by the Australian Government through Creative Australia and its Export Development Fund, as well as the Ian Potter Cultural Trust Emerging Artists Grant), receiving a Wattle Fellowship, winning the 2022-23 Leslie Barklamb Flute Composition Competition, undertaking Composing in the Wilderness (2022, Alaska, USA), winning the 2022 No Divide KC International Art Song Competition, receiving 2nd Prize in the 2022 Luna Nova Composition Contest, being awarded the 2022 David Henkels Composition Award, and undertaking the AYO National Composition Program and ICEBERG New Music Institute (both in 2021).
McIntyre has strong national ties and exponential international presence, working with the likes of Melbourne Symphony Orchestra, Omega Ensemble, Flinders Quartet, Australian Youth Orchestra, Melbourne Recital Centre, 3MBS Melbourne 103.5FM, Solstice Trio, Komorebi Duo, Divisi Chamber Singers, Corvus Ensemble, Arafura Music Collective, Peninsula Chamber Musicians, Trio Immersio, Australian Flute Festival, National Sustainability Festival, Collide, Syzygy Ensemble, Jasper Ly, Georgina Lewis, Leigh Harrold, Coady Green, ChamberFest RIAM, Guitar Perspectives, Melbourne International Saxophone Festival, University of Melbourne Symphony Orchestra, Homophonic! and Midsumma Festival, Australian Global Health Alliance, Victorian Youth Symphony Orchestra, Victorian Flute Guild, and more.
McIntyre’s music appears on Divisi Chamber Singers’ debut album 'Spectrum', which is Australia’s first fully-LGBTQIA+ classical music album. Additionally, McIntyre’s ‘Our Duty to Care’ climate change curation series also continues to receive acclaim, with its premiere at Hanson Dyer Hall with the Faculty of Fine Arts and Music (FFAM) and Melbourne Law School in 2023, Tempo Rubato and the National Sustainability Festival in 2024, and notably with its next co-presentation with the Melbourne Recital Centre at the Primrose Potter Salon in 2025. Further, he is co-artistic director and flautist of Aether Duo with pianist/composer Sam Williams, focused on the delivery of new and contemporary Australian flute and piano repertoire. Notably, McIntyre was invited back as the 2024 Alumni Speaker for the University of Melbourne FFAM to deliver a commencement speech to the incoming first-year cohort across all disciplines.
(reach out to request for full-length biography)
AUSTRALIAN MUSIC CENTRE PROFILE AND BIO AVAILABLE HERE
BIOs current to OCT 2025 - please seek permission before reproducing or for iterations of specific length